There was no dodging the lawyers this time, but Kubrick's wife Christiane, and her brother Jan Harlan, were supportive, and offered to help clear the way.Įventually, I had a contract from Warner Bros. was securely in charge of Kubrick's cinematic legacy (with one or two exceptions). I asked if there was any way I could have access to Stanley's archives and turn "Filming the Future" into something more substantial. Jump cut to fall 2012, when I approached the Kubrick family once more. His tacit approval for "Filming the Future" kicked off my long career in books. When Kubrick died in 1999, I was distraught. He said, "Right-oh," or some other cool English phrase, and I never heard from the lawyer again. I did hear from a studio lawyer that my book might be in danger of infringing copyrights. "We look forward to seeing the finished book."Īt that time, the studio ownership of "2001" was a tricky matter. "Stanley really likes the fonts," I was told. I was terrified that Kubrick would refuse permissions or, worse still, just give no response at all, but Arthur kept pushing on my behalf, and eventually, I got a call from Anthony Frewin, one of Kubrick's trusted aides. Clarke, whom I had gotten to know quite well by that point, because I was helping to archive that portion of his papers and manuscripts that were held in the U.K. Kubrick looked at early proofs, sent to him by Arthur C. It took a while, but a slender paperback of mine, " 2001: Filming the Future" (Aurum Press, 2000), was published about 20 years ago. (s14)) 2001: Sharing the storyĮven as a kid, I knew I wanted to make a book about how "2001" was created. 2001: A Space Odyssey and all related characters and elements are trademarks of and © Turner Entertainment Co. ![]() ![]() (Image credit: Copyright © 2014 Turner Entertainment Co. Kubrick's large-format production, shot on a special new version of Cinerama, was a forerunner of today's IMAX shows.Īctors and crew from "2001: A Space Odyssey" relax after completing photography in a set representing a huge lunar pit where a strange black monolith has been excavated. It was an unprecedented virtual-reality experience of spaceflight that allowed us to share the ride. "2001" wasn't just the story of a journey to Jupiter. I've seen the box office reports from the crucial first few days and weeks of the film's run, and that story just isn't true.) (A popular myth has it that a grouchy bunch of naysaying New York movie critics almost killed "2001" on its first release. You're just supposed to watch it!" Now, nearly five decades later, I still agree with my 10-year-old self.Īlmost immediately, " 2001" was a huge global commercial success, and was rated not just as a landmark piece of science fiction by the rest of the world beyond New York, but as one of the most impressive films of all time, in any genre. Somewhat taken aback by their question, and also not sure I had quite figured out the meaning of what we'd seen, I blurted out, "You're not supposed to understand it.
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